Binder truly has an incredible and extensive resume. She’s been dancing for over 20 years (and teaching over 12 years), specializing in musical theatre, ballet, jazz, tap, lyrical, contemporary, aerialist and Brazilian dance. Binder has even performed 15 months abroad as an Aerialist performer at Tokyo Disneysea in Japan before returning home and opening up SDA. I know your kid will bond with Binder over Disney’s characters!
You’ll also notice that the studio doesn’t have mirrors. This is definitely with intention as Binder thinks that mirrors can be a distraction for the children. They can be obsessed with the reflection and they may not listen to the teacher.
“I find that it makes you so critical because as dancers we have proprioception,” Binder says.
Proprioception is defined as the self-movement and body position. For example, you feel how your body positions itself while performing a pirouette.
“Being in front of a mirror takes away from that feeling and you become more visual on how you think something is supposed to look.” When you’re performing in front of an audience you won’t have that mirror. Binder thinks the mirrorless concept is best for learning, attentiveness, picking up choreography, and not being self-critical.